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Jane O'Hara Gallery

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The Far Pavilions. The Jewel Sea

Upcoming Exhibition

 The Far Pavilions. The Jewel Sea by Jane O'Hara


On my return from living and exhibiting overseas, I'll never forget the rush of seeing The Kimberley for the first time. Its wild, even harsh and ancient beauty was astonishing and it formed the basis of my previous show, “Hover” at M2 Gallery -book-ended by Covid lockdowns!


My new show, titled The Far Pavilions. The Jewel Sea was originally inspired by The East McDonnel Ranges, an equally unique and extraordinary place. 


As with The Kimberley trek, this one was also devised and run by Kerri Ainsworth of Art Travel Adventures fame. 


A group of artists headed out each day in 4 Wheel Drives (which I love driving) to various ancient sculptural gorges to sketch and paint. We sometimes set ourselves up in huge, dry, sandy river beds and heard nothing but insects, the slightest shift of air-and a boiling billy of tea- in the heat. I was fascinated by the Rivergums whose gnarled trunks and branches bore the signs of the ravages of huge floods, difficult to imagine then. 


After some time working up these experiences back in the studio, I was drawn back to painting our “Jewel Sea”, its islands and wondrous reefs. Experiencing the Mediterranean for the first time added yet another layer of inspiration, and, just as the McDonnel Ranges had done, reignited my fascination with ancient history, architecture and archaeology. 


The title of my show speaks to the notion of 'pavilions' being places that offer shelter but suggest impermanence and can be open or closed to the winds and dust-storms, much like Bedouin tents and First Nation's mia-mias/Gunyahs. They speak of migrations and history on the march over aeons. Many ancient structures are now 'pavilions' as are, to my mind, shifting sand dunes in the outback. The “jewel sea ” is a reference to our Australian national anthem and our vast 'island' "girt by sea". 


Please enjoy, The Far Pavilions. The Jewel Sea. To be officially opened by Mark Pearson, OAM.

THE FAR PAVILIONS. THE JEWEL SEA

Ancient Battles. Ancient Migrations. Acrylic on Canvas / 122x92 

Breakfast in Sicily. Acrylic on Canvas / 122x92 

Chain of Ponds, East McDonnel Ranges. Acrylic on Canvas / 122x92 

Coast, Sardegna. Acrylic on Canvas / 122x92 

Coral Symphony. Acrylic on Canvas / 122x92 

Dryad, Riverbed, East McDonnel Ranges. Acrylic on Canvas / 122x92 

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HOVER

Previous Exhibition

HOVER  by Jane O'Hara


@ M2 Gallery,

4/450 Elizabeth Street,

Surry Hills, Sydney, 2010

June 16 until June 22, 2021


Experiencing The Kimberley for the first time was a revelation. Its vastness, agelessness, remoteness and striking beauty had a deep affect on me. The enormity of the landscape and the ungraspable span of its geological and and Indigenous cultural history made sense of the Indigenous proverb and welcome note at Home Valley Station which reads:


“We are all visitors to this time and place. We are just passing through. Our purpose is to observe, to learn to grow...and then we return home.” 


Given this, any artist, any writer can only grasp so much of The Kimberley and only describe it fleetingly. This brought the word “Hover” to mind as this exhibition's title since it means to remain in one place in the air/to be suspended over a place or object/to oscillate/ to fluctuate around a given point.


But, as I “hovered” I could also be the “Black Crow” that Joni Mitchell -in her song of the same name- uses as a metaphor for her life:


“My whole life has been........
Diving down to pick up on every shining thing,
Just like that black crow…”


If you are interested in purchasing my work, please contact me at janeoharagallery@outlook.com for queries, prices, payment, and collection. 


Please come and enjoy my fifteenth solo show! 

Jane

M2 Exhibition

A River Carves Through It, 38x114, Jane O'Hara (Detail)

Approaching Echidna Gorge 56x76 Jane O'Hara

Black Pearl Beach, 80x80, Jane O'Hara

Bridal Veil Falls, 51x76, Jane OHara

Canyon Pool, 71x92, Jane O'Hara

Cascade, 56x56, acrylic on board, Jane O'Hara

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